Do you recognize them?
What does unite Ernest Hemingway with Sting, Michelangelo with J. Claude Van Damme, Well Stiller with Roosevelt, Lüdviq van Bethoven with Kurt Cobain? (to notice the workmanship of Schizophrenos in to form some couples of characters appartenenenti to the same historical period and done I make famous by the same artistic dowries!... I hope is not necessary to underline the keystroke, do fact, excuse already)!
Returning serious, to give an answer to the question that there are set owes to all the costs to throw in dance the psychiatric illnesses, the artists in phot, in fact, they are all affections from "Double-pole Trouble." Who knows how many times you will have felt to speak of depression or of mania, of low humor and exaltation... it is really the alternation of these two troubles to characterize the aforesaid pathology. "Alternation" that, also if had been alternating for periods of eutimia ("psico-physical comfort"), it determines instability in the lifetime of whom suffers of it, making difficult or almost impossible the realization partner - working of the individual and the palimony of regular personal relationships.
The d's incidence. double-pole is of the 1,2% in the males and of the 1,8% the females, while the prevalence in the general population is esteemed around the 1 - 2%!
It follows a brief description of the clinical pictures of the two phases of illness:
The depressive episode is characterized by sadness, dark and depressed humor or from nervousness, fidgetiness joined to a constant sense of guilt, to a remorse toward something that we don't succeed in individualizing.The subject appears lethargic, anedonico, "full of a nothing that however hangs as a boulder" to the chest or to the "mouth of the stomach", in the movements, neglected in the care of his/her own person, aged, low; facial mimicry is inactive as the language. The subject isolates him, it doesn't go to the job, it interrupts the social relationships that deteriorating contributes him to its further separation from the rest of the world: he/she remains often even in bed in a state of depressive stupor for which he doesn't dress, he/she doesn't eat, he/she doesn't speak.The constants worries that you/they bother him/it in some cases are turned into real secondary deliriums to the depressive trouble with the subject that extends to fantastic constructions that are not able not to end if not with the dilapidation, or even the death, of the patient, to avoid which the suicide seems the only tract of escape.
This picture is able, to distance of time, to change in a maniacal episode that has more rapid debut in comparison to that depressive: you/he/she has generally been being preceded for one period of iperattività, extortionate cheerfulness, loquacity - yardstick to usually be held in consideration in reserved subjects. In the period of state, an elevation of the tone of the humor is had, for which the patient appears happy, euphoric: in truth they are enough small frustrations, least contrasts because to the comfort you take over anger, irritation or seizure of weeping of brief duration.The individual hides him in a fragile shell that doesn't protect at all it, rather, once rout, very more vulnerability makes him/it to the outdoor stimuli of any other person. To this apparent euphoria it joins an increase of the motor activity with the subject that doesn't succeed in being detention without charge; it is restless, loquacious if not logorroioco, pompous in the language that however it doesn't disguise the retoricità of the discourses that don't have sense, that I/you/they are empty, illogical without associative connections.In little time it becomes unbearable and people extend to get further ignoring him/it that, when to the euphoria you/he/she will follow a rapids fall of the tone of the humor, this attitude you/he/she can condemn the subject to live a so agonizing experience that only an extreme gesture could conclude. For the patient everything is realizable "Hic et Nunc", but the progressive deficits of the attention, of the capability of relationship, of syntheses and of thought make more and more this arduous intent and it is to this pixel that realizes that everything doesn't go as he/she would like, that the other ones extend to avoid, that everything starts not to have a sense as the discourses that it pronounces him/it.
In conclusion: not think both an advantage to be double-pole... Kurt Cobain teaches!!!
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